Doodles

more doodles from a very long staff meeting, including water bottles, cliches, and a couple of the decorated pumpkins from our office pumpkin decorating contest.

here they are in their final form-cut out and taped to a spiral bound notebook. It's my secret "doodle-book" and it makes me happy.

(you'll note that the green chairs are a repeat...that's cuz you viewed them in their native habitat below...here they are in their new, er, condo.)

Yarn!

Remember that sweater I promised I was working on? It's still true.


I'm making this one. But with a golden yellow instead of pink. It's hard because I get distracted by my life and forget to knit for awhile...even though it beckons from it's little sealed Rubbermaid bin. (never mind how dry it makes your hands...come and work on me!)


Here my armless chair is modeling my progress. Lookin good, eh? I've finished both sides of the front, the back, a sleeve, and the obi.



Check out that double seed stitch on the obi. What a gem.

Type One: Grid Exercise II

I've got three done. I have now posted the Manifesto on the cupboard above my desk so that I can look at it all the time. It reminds me that I am not alone in the world, and that SOMEwhere there is a job for me where the office culture is pr0-creative.

Here you go: the first three both with and without the grid. :)

1. all of the type must be the same size, weight, and style.

2. you may vary the size, weight and style of type.

3. must be white or negative space dominant.

I love them, don't you? They look like those awesome "quote" cards you can buy in specialty stores...brilliant typography and only black text on a white square. Perhaps that's where this exersize came from. Perhaps.

doodles

Have you heard of Summer Pierre? She wrote the zine The Artist in the Office. I don't own it (yet) but there are a couple inspiring pages here.

One of the pages suggests keeping all your phone doodles in a sketch book. I'm doing it but with meeting notes (I try to avoid long phone calls at all costs). I just remembered that we have a pretty sweet copier/scanner here in the office, and I thought I'd share what I doodled yesterday at a seminar on our aging community.


I remember my mom (who is an artist in an office) telling me when I was a kid that "how to draw X" books weren't the best way to learn*. Starting with circles that lead to shapes that lead to dinosaurs wasn't as good as just drawing what you see. Practicing. So here are the water pitchers and water glasses and cups and saucers and chairs at the conference center.

*BTW...I recently had a conversation with someone at work about how she's not artistic at all. I think that is the lamest thing to say ever. (Mom, I know I used to say that too. But you told me I was wrong and you were right.) Drawing, painting, writing, etc. are all skills that can be learned. People get good at them because (typically) they like doing them and then they do them A LOT. Repetition repetition repetition. I'll rant more on this later. Just you wait.

Type One: Grid Exercise

My next assignment. This one is going to be fun! Click on the Incomplete Manifesto link for a GREAT list of rules to live by!

Problem:
Produce (4) 8”x 8” compositions that explore visual heirarchy and the control of emphasis on type, image, and space.

Elements: Each of your layouts should be striving for visual heirarchy and should be based upon a grid system. Each panel should include all of the following elements:
• (1) of the 43 points (except #5) from Bruce Mau's Incomplete Manifesto
• the # and heading of the above point
• the following credit “—an excerpt from Bruce Mau’s Incomplete Manifesto for Growth”

All typography will be limited to (1) font and it’s family members.
No display fonts.
I suggest choosing one of the following families:
Garamond, Bembo, Didot, Caslon, Futura, Gill Sans, Franklin Gothic, Helvetica, or Universe.

Use this same font for all three layouts.
You are limited to black for type color.
Compositional elements to possibly explore are:
union, subtraction, repetition, contrast (geometric + organic, dark + light, large + small etc.)

Layouts:
#1 all of the type must be the same size, weight, and style.
#2 you may vary the size, weight and style of type.
#3 must be white or negative space dominant.
#4 must incorporate an image (either black and white or duotone).

Process:
• brainstorming / free association lists—think about images your chosen point brings to mind
• thumbnails—at least 10 studies for each of the 3 compositions
• roughs—b+w at 100%

Presentation:
Each of your final compositions will be mounted on 8x8 foamcore.

Objectives:
To experiment with basic grid structures as formal layout guides.
To understand the idea of visual hierarchy.
To explore the shift in meaning and impact of a design resulting from formal compositional changes.
To understand how content and meaning are affected by the marriage of type and image.
To understand how contrast of elements leads to dynamic composition.
To teach a design process of thorough exploration.

Evaluation:
Exploration of layouts
Use of grid
Use of type
Craft

BYOP: I'll make the cake

YUM. Who made gingerbread with crystalized ginger and lots of mollasses AND a spicy applesauce cake with a brown sugar frosting? I did, ya'll. And they were YUMMY.

Good type, Bad type III

Okay, so my assignment is WAY overdue. But, hey, I'm not actually in the class. So it's all good. I've been busy baking bread, reorganizing my entire house, knitting a sweater, and preparing for the BYOP party.

The assignment for the Good Type Bad Type project required 10 thumbnail sketches for each type...but I've instead shot for three ideas (in a confident draft stage) for each.

This was until I had already created two posters for my bad font (Freestyle Script) which I now hate, mostly because the information I gathered about it led me to believe that there were endless contextual alternatives for its lowercase letters allowing one to make the font look just like real half-cursive handwriting. It's a lie, I tell you, a LIE. In fact, I hand kerned all those letters. In the interest of my sanity (along with a real concern for repetitive motion disorder from using my mouse button to click click click click click the letter pairs together in order to make them look like cursive) there's only two. (you'll note that my second Freestyle Script poster is almost mocking the font with its I-miss-the-eighties colors and its sad "freestylin'" headline. That's because I am angry with the font. In fact, as mentioned above, I hate the font.)

And yet, I'm not only hating. With the same vigor that I hate Freestyle Script, I love Minion Pro. Just look at those swashes and glyphs! And look at those serifs--so graceful, so strong, so lovely. It makes me want to design a wedding invitation so I can use it for reals.

Anyone getting married?

Challah!

I made my first bread. HOLLER! HOLLA! CHALLAH! When I visited my dear sister (and her darling baby boy) last month, she handed down generations of knowledge about yeast, like a little gift in a box (or pre-measured packet, if you will). Yes, dear reader, my sister and I made my Great Grandma Gladys's caramel rolls...an all day project that requires nothing if not TIME and patience. (And a willingness to be a slave to the rolls for the entire week it takes to consume them. And believe me, I'M WILLING.)

Anyway, I made my first yeast bread all on my own last Friday. And it was yummy. YUMMY.

And then, the next morning, my next door neighbor and I made french toast out of the bread (with a nutmeg pear compote). Yummier.

BYOP

Hey all you readers out there...happy fall!

In celebration of fall, Joe and I are having our traditional pumpkin carving party. Here's a little ditty I drew up in order to invite the invited. Sadly, we don' t have enough square footage for all of our friends...

also...more to come. I've been busy...so busy i haven't posted my new designs!

(and lest you think i'm an idiot and the invite is off balance...there was an additional line of text below the "joe and heather's place o fall fun" line spouting off our address. This kept things in balance and didn't allow for all that white space. In the interest of ensuring that my mother can sleep at night (she worries) I deleted that line just before posting. I'm sure you wily interweb users can find my address online if you try, but i'm not going to just hand it to you here.)

Good type, bad type II

I did some reading (browsing) through the interweb of confusion and learned this:

typeface: a whole family of a given design

typestyle: an individual aspect of a typeface, such as bold or italics

font: something tangible, often described as a unit, or set of a typeface (the little metal letters in the wooden box). One guy referred to this as the thing that enables the printing of typefaces. Another person said that a font is a collection of letters in specific design (typeface) and style (typestyle) that include size, pitch, spacing, etc.

font family: sets of typefaces that belong (Helvitica Bold, Helvitica Narrow....part of the same family.)

Arf. this is harder than it looks. Stupid Microsoft teaching us font means the wrong thing.